German Russian, 1981
"It is true that in addition
to the formal harmony of the painting,
I particularly pay attention to its ambiguity".
"My grandmother Anastasia was exceptional.
To her I owe thanks for having planted in my soul,
in a light-hearted and loving way my passion for books and the arts".
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"The figures in my works often wear sunglasses, stick to their cell phones, and have headphones on.
They are socially highly active and at the same time socially isolated".
"Comfort in my opinion is a weapon against a structure based on the exercise of taste. I use discomfort
as an engine".
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"My work propose an active listening and expansion
of ours perception through the physical-acoustic experience of emergent behavior in the limits
of the chaotic and order structures".
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"First I always look for the roots of Mexico
and then for the roots of the character & the figure;
but Mexico is a very mysterious country.
That mystery and ambiguity is always within us".
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"I think that the ideas and the questions themselves usually take the forms that allow them
to communicate in a more natural, organic way".
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"I love to show things you can describe with words.
I more interested not in what I see but in the feelings
I have when I am in a room with someone".
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"I am interested in using these virtual aspects with techniques and materials that have to do with the physical. When we speak of virtuality, we speak of a dematerialization, which also has to do
with the loss of the physical".
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"Evru is currently trying to stop being; disappear and make the viewers stop recognizing the work".
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"I draw, paint, display these characters within the settings I create. It is like generating a theater of passions.
A separate independent world that observes
and questions us."
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"You start painting long before you put the brush on the canvas. If my painting responds to anything
is to pictorial questions. It is very basic”.
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"My work scattered in terms of aesthetic and iconography options, but there are a series of iconic images that are constant. The skull is one of those iconographies that I have visited over the years because it let me face, metaphorically, death".
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"Every painter is negotiating with his own privacy
to paint a picture that is worthwhile.
I simply seek to find an exit for colors and shapes
so at the end I am making a painting".
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"My language is born from my emptiness, my fears, my delusions, my way of seeing my reality and art".
FIND MORE ABOUT KARLA AND AVAILABLE ARTWORKS Click here
"When we work the most important elements are the most obvious ones. And the most important is the idea;
the idea is everything".
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