In our context, humor and sarcasm could be a subversive tool.
I could criticize the assimilation of the neoliberal parameters that make up the art world, I would cite some established artists and look for possible
intertextualities between them and my own work, with the intention of giving the necessary weight for the credibility of this discourse. And if I didn’t do it, it would allow me to take
carelessness and disinterest as a position that I adopt in a personal, aesthetic and political way.